As a queer individual who grew up in the era of Smash Mouth ditties dominating the big screen, I can wholeheartedly appreciate the enthusiasm behind predicting Chappell Roan’s music finding its way onto the soundtracks of major films like “Venom: The Last Dance,” “Nightbitch,” or even “Sonic the Hedgehog 3.”
If you share similarities with me, you’ve likely spent the entire summer dancing at the Pink Pony Club, uncovering your affinity for karma, expressing your vibrant, contemporary self, and striving to nail the elusive “I TOLD YOU SOOOOO” high note in “Good Luck Babe!”. Indeed, Chappell Roan stands as a symbol of our era. Her music is nothing short of phenomenal. The way she fearlessly discusses her mental health battles is commendable. On a more intimate level, her stage persona and style perfectly mirror the image I’ve always aspired to embody. In the queer woman community, I sometimes feel misfit donning extravagant eye makeup, bold, colorful lipstick, and maximalist ensembles. However, Chappell Roan’s usual stage attire finally brings my ideal self-image into tangible existence. I can never express enough gratitude for that transformation.
As a dedicated fan, I can’t help but notice that while Chappell Roan is a prominent figure in today’s music world, her absence from the silver screen, particularly in movie soundtracks, is quite striking. It’s not about her acting roles, as she’s made it clear she’s steering clear of major acting gigs at the moment. Instead, I find myself yearning for more instances of Chappell Roan’s music being incorporated into modern films.
Could it seem surprising to some that Roan’s songs are yet to appear in movies, given the swift incorporation of other contemporary hits like Billie Eilish’s “Bad Guy” and Olivia Rodrigo’s “Brutal”? However, it appears Hollywood has been slow in leveraging Roan’s music. While Eilish’s song was included in Brightburn just two months after its release, and Rodrigo’s “Brutal” featured in two Netflix original films within a year of its debut, there’s no sign of Roan’s tunes from the album “The Rise and Fall of a Midwestern Princess” on mainstream screens. Come on, Hollywood! Even if you have reservations about LGBTQ+ themes, surely these catchy tunes are too hard to resist? Is it time to move past the frequent usage of “Born to be Wild” or “Unfortunate Son” in cinema soundtracks?
Let’s cut right to the chase: We can expect Roan’s music to be featured in a big-screen movie soon. The question is, which upcoming film will make use of Roan’s melodies first? In this article, we’ll examine some major movies set for release in 2024 and rank them according to the likelihood of featuring one of Roan’s songs. Maybe among these, we’ll find the movie that will give audiences a chance to enjoy Roan’s soulful voice singing “Naked in Manhattan” through IMAX speakers. So grab your headphones, queue up The Rise and Fall of a Midwestern Princess, and let’s delve into how Roan might fit into the remaining major releases of 2024.
Gladiator II
Fans of the internet, who some might say lack excitement in their lives, erupted with racist outrage upon hearing a rap song in the trailer for Gladiator II. It seems audacious, even for Paramount Pictures executives, to risk provoking more bad luck by incorporating a track from Chappell Roan, an openly queer artist, into the soundtrack of Gladiator II. Given that the movie is set in a different era and carries a darker tone, it seems unlikely that Roan’s music would suit the film’s atmosphere. However, her song “Naked in Manhattan” could perfectly complement a scene where Pedro Pascal and Paul Mescal reconcile by sharing a kiss.
How to Make Millions Before Grandma Dies
The hit movie worldwide, titled “How to Make Millions Before Grandma Passes Away“, is set to premiere in North American cinemas this September. However, those who are eagerly anticipating that this critically-acclaimed film might include a Chappell Roan song should perhaps manage their excitement, as the movie has already been released in its native Thailand and other significant regions. If any of Roan’s songs were incorporated into the film, news about it would have been announced by now.
Red One
The trailer for “Red One” seems to be the most traditionally romantic of all 2024 trailers, noticeably devoid of the vibrant hues and fantastical elements that typically characterize Christmas movies. Blech! It appears that this traditionally-themed film may not feature Chappell Roan tunes.
Pushpa 2: The Rule
The Rule” is a much-anticipated sequel due in December 2024 that promises to delight audiences. Notably, Chandrabose has been commissioned to compose new songs for the film, implying there may be less space for Chappell Roan’s music in the soundtrack.
Joker: Folie au Deux
Just like many period dramas before 2020 and major sequels in late 2024, Joker: Folie au Deux won’t feature Chappell Roan’s music. Instead, it will be a musical with popular songs from the 1960s to 1970s. Chappell Roan’s tunes likely won’t be part of this movie. Additionally, the director Todd Phillips is known for R-rated comedies that often include transphobic content and stereotypes. So, it’s unlikely that you would hear characters in his films appreciating Chappell Roan’s music as you might in other movies.
Mufasa: The Lion King
Those realistic CG lions can’t emote, there’s no way they’re belting out Chappell Roan songs.
Nosferatu
The most exciting way for Robert Eggers to make me even more eager for Nosferatu would be if he hinted that Count Orlok would appear in each scene accompanied by a foreboding version of “Hot to Go”. Unfortunately, that’s not going to happen. However, a transgender woman who cherishes the first three films directed by Eggers can still hold onto such dreams!
A Complete Unknown
1. In the biographical film about Bob Dylan, there won’t be space for a tune by Chappell Roan. Additionally, James Mangold is renowned for directing “dad” movies, and it’s questionable whether Roan’s style aligns with his artistic vision.
Wicked: Part One
Folie au Deux”) might be packed with well-known tunes that could potentially overshadow 2024’s breakout artist during the soundtrack selection process. However, it’s highly likely that this movie will showcase an original Roan tune for its end credits. Despite this, because this list is about using pre-existing Roan songs, “Wicked: Part One” would rank lower on the list.
Horizon: An American Saga Chapter 2
It’s possible that, following the poor performance of “Horizon: An American Saga – Chapter 1,” Kevin Costner may have felt desperate to attract viewers for the sequel by incorporating Chappell Roan’s music. While some aspects of Roan’s music could potentially harmonize with a Western setting, don’t expect to see tracks like “Pink Pony Club” in “Horizon: An American Saga – Chapter 2.” Such an unconventional move would be highly unlikely for the “Horizon” film series.
Here
In this film directed by Robert Zemeckis, a significant stretch of human history is depicted. Nevertheless, it’s unlikely that any of the periods portrayed would include tunes from Chappell Roan.
Terrifier 3
It seems unlikely that the Terrifier films possess sufficient funds to secure a Chappell Roan song. Moreover, I strongly advise against associating Chappell Roan with those average Terrifier productions.
Smile 2
The sequel to the movie “Smile” revolves around a character who’s a popular musician. In essence, it seems to be set in an environment where a Chappell Roan song might fit. Yet, given its low-budget nature and the focus on horror, it’s more probable that “Smile 2” uses original songs composed by its central pop star character instead of licensing “After Midnight”.
Transformers One
Watching a version of Arcee expressively dance to the song “Red Wine Supernova” could be considered a dreamy, girl-centric scene in cinema for transgender audiences. However, since the movie Transformers One has already begun screenings for press members, if there was a Chappell Roan soundtrack inclusion hidden somewhere in the film, that information would have been leaked long ago.
The Wild Robot
DreamWorks Animation is often known for its contemporary music choices and affection for pop culture references. However, the new Chris Sanders movie, The Wild Robot, seems to embrace a more classic visual and narrative style, which suggests less use of Chappell Roan’s music. If this were Madagascar 4, we’d likely have an upbeat ending dance party with “Super Graphic Ultra Modern Girl” playing. Instead, The Wild Robot appears to be leading DreamWorks into a new artistic terrain.
Beetlejuice Beetlejuice
In a twist of imagination, it’s conceivable that the contemporary and teen-centric version of Beetlejuice, with its potential inclusion of a Chappell Roan tune, could occur. Yet, it’s challenging to envision these melodies harmonizing with director Tim Burton’s dark, expressionistic aesthetic. The promotional strategy has leaned heavily on the nostalgic tone by playing songs like “Right Here Waiting”. It seems unlikely that there will be room for “After Midnight” within this approach.
Kraven the Hunter
It’s unlikely that Kraven the Hunter is the one, but oh, wouldn’t it be delightful if this film had a similar style of end credits as There’s Something About Mary? That 90s comedy featured bloopers and cast singing “Build Me Up Buttercup” during the credits. Instead, let’s imagine Kraven the Hunter ending with a compilation of bloopers and footage of Alessandro Nivola, Christopher Abbott, and Ariana DeBose lip-syncing to “Hot to Go!”
Venom: The Last Dance
It’s plausible that, considering how past Venom films have used surprising music choices and casual references to the queer community (such as the line “I’m out of the Eddie closet!” in the second movie), Chappell Roan might be featured on the soundtrack for Venom: The Last Dance.
Nightbitch
As a fervent admirer, I can’t help but express my excitement over Marielle Heller’s “Nightbitch”. Set in contemporary times, this captivating tale delves deeply into the gritty truths of motherhood – experiences that resonate profoundly with me. The raw exploration of feminine identity makes it an ideal canvas for a Chappell Roan musical interlude, adding another layer to the narrative that I believe would truly bring the story to life.
Sonic the Hedgehog 3
It seems that “This is it. Sonic the Hedgehog 3” is highly probable as the venue for a Chappell Roan song debut in the 2024 cinematic landscape. While an Angela Robinson movie starring Ayo Edebiri, Hunter Schafer, and Sherry Cola as polyamorous bank robbers would be perfect for Chappell Roan’s music, Sonic the Hedgehog 3 appears to be the most plausible film from 2024’s lineup that could accommodate a Chappell Roan song. The first two Sonic films have already showcased popular tracks by Queen, Mark Ronson, Run-DMC, and others, making it fitting for Chappell Roan’s music to find a home in Sonic the Hedgehog 3, given the franchise’s integration of contemporary pop culture references.
For Chappell Roan, there appear to be limited chances for needle drops in mainstream cinema throughout 2024. This can be attributed partly to Hollywood’s reluctance towards modern needle drops and partly to the unabashedly queer nature of Roan’s music. Mainstream films tend to portray queer women as chaste, unlike Roan’s lyrics which are more explicit. Additionally, the lengthy production process for movies plays a role, with many 2024 blockbusters originally slated for release in 2023. However, it’s hard not to imagine how thrilling it would be if Roan’s music gained as much prominence in 2024 theatrical cinema as Smash Mouth songs did in cinemas from 1998 to 2006.
Still, Roan’s excellent discography doesn’t need Hollywood validation to be amazing. The instantly transportive jangling of piano keys at the start of “Pink Pony Club”. Those spoken words towards the end of “Red Wine Supernova” bursting with excited romantic fervor. The boundless enthusiasm coursing through every inch of “Hot to Go!” are just a few of the countless aspects of Roan’s music that have made 2024 a whole lot more bearable. These tracks will always carry tremendous importance for queer listeners all over the world. In some ways, getting ignored by mainstream Hollywood studios makes her songs feel more like a “little secret” between queers. These tunes are defined by their drag show appearances, the way they bond queer folks together, and their function as a thems rebellion in the name of pursuing your own identity They’re not existing in the shadow of a superhero movie cringingly using them to appear “cool”. Inevitably,
Chappell Roan songs could find their way into live-action films, possibly even featuring computer-generated hedgehog characters. Yet, the presence in these movies doesn’t determine their worthiness as exceptional art. The immense talent of Roan has long since accomplished this and surpassed it.
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2024-08-22 19:15