The Chicken Sisters review: Down home mess that struggles to delight

The Chicken Sisters review: Down home mess that struggles to delight

As a gamer who has spent countless hours navigating through the labyrinth of storylines in RPG games, I can say that The Chicken Sisters feels like an epic quest with too many side-quests and not enough main storyline. The show’s debut left me feeling like I had just leveled up, but without the loot or the satisfaction of defeating a boss.


The television series titled “The Chicken Sisters“, which marks Hallmark+’s initial foray into original scripted programming, recently premiered. While devoted Hallmark viewers might be willing to check out the show, it’s yet to win over a wide audience immediately.

As a passionate gamer, I found myself immersed in an engaging tale, inspired by KJ Dell’Antonia’s novel. The story revolves around two rival chicken joints. One is Frannie’s, a sleek and polished establishment that, with the right funding, could easily expand into a franchise. Then there’s Mimi’s, often referred to as a humble shack, which serves some mouth-watering fowl, but is yet to embrace modernization.

The main focus of the tale revolves around events that unfold once Amanda Moore Hillier (Schuyler Fisk) spontaneously enters the ‘Ultimate Kitchen Clash’, a culinary competition where two rival restaurants face off, battling for a prize of $100,000. In a moment of frustration following another disregard by her husband Frank Hillier Jr. (James Kot), she makes this decision. To her astonishment, Frannie’s and Mimi’s are chosen to participate in the show, leading to an unexpected wave of drama.

Growing up, Amanda was more like a Mimi’s girl, as her mom, Augusta “Gus” Moore (played by Wendie Malick), runs the restaurant. Gus, a tough woman, shows her affection mainly through the delicious meals she prepares. There’s tension between Gus and Amanda not just because Amanda is a vegetarian but also due to the fact that she married a Hillier, who has been at odds with their family since Frank is set to inherit from Frannie.

I’m head-over-heels in love with this show, and here’s a spin on the scenario: Gus won’t participate in the competition unless Mae, the town girl who sped away from Merinac without a glance back, lends a hand. At first, Mae flatly refused when Amanda reached out. She’d shaken off her Southern twang, become a city-dwelling reality home improvement star with a partner unfamiliar with her roots, and was content with the polished life she had crafted for herself. But then, following a dismissal for being brutally honest and harsh with clients, Mae found herself reconsidering her decision.

If “The Chicken Sisters” primarily delves into the family drama, with Nancy Hillier (Lea Thompson) viewing Amanda as a daughter she never had and Gus being indifferent towards her, the narrative might be more streamlined. However, the series encourages viewers to care about every minor conflict, petty argument, and tense exchanges among all characters. There seems to be no respite or calm moments in the storyline.

Amanda and Frank’s marriage isn’t working because he tends to be spoiled and gets his way often. Her interactions with her daughter Frankie (Cassandra Sawtell) are strained, as they often disagree, and Amanda feels frustrated that Frankie admires Mae more than her. As is common in Hallmark productions, Amanda seems to have a mutual understanding or connection with Mimi’s chef, Sergio (Ektor Rivera), which people around them can sense.

Mae is deceiving her fiancĂ©, she has a strained relationship with Sabrina Skye (Rukiya Bernard), the host of Ultimate Kitchen Clash, and has reconnected with her childhood friend Kenneth (Jake Foy) who now manages the inn along with his spouse Patrick (Andrew J. Hampton) following his return to town due to his mother’s illness and subsequent passing. These are just a few of the secrets that come to light in the first two episodes.

The Chicken Sisters is overflowing with conflicts, yet it struggles to fully engage the audience. The production attempts to delve into family dynamics, but it does so in a manner that’s challenging to connect with and, in certain aspects, feels somewhat outdated. Traversing familiar paths is acceptable as long as there’s something fresh or distinctively compelling to offer, or if it manages to captivate through thought-provoking elements.

In this show, they don’t break new ground right off the bat. I’ve witnessed the simmering tension that arises when one sister departs and the other remains. The storyline about Nancy grappling with her identity after her husband’s passing and letting go of societal expectations for the “ideal woman,” as well as her son resisting this change, has been portrayed before, but perhaps even more poignantly elsewhere. Similarly, the tough-on-the-outside-tender-on-the-inside mother figure who’s grappling with past regrets and emotional turmoil is a familiar trope. However, I’m still excited to see how this show will put its unique spin on these themes!

The only difference here is that the story is Southern fried and when the townsfolk start talking about people, you really do feel like you’re sitting on your front porch sipping lemonade listening to someone say something they shouldn’t about a neighbor. There’s a charm to that bit of the story that will bring a smile to your face but it doesn’t buoy the overall plot.

As the story of The Chicken Sisters unfolds on Hallmark+ each week, viewers may find that the show gains momentum and becomes more engaging. However, given the abundance of content available for streaming today, there might not be enough reason to keep watching if it doesn’t immediately capture one’s interest from the start.

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2024-09-10 21:53