Maurizio Cattelan’s ‘Bones’ Feature Gold-Plated Panels With Bullet Holes

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The gold-plated toilet sculpture by Maurizio Cattelan, titled “America” (2016), was stolen from Blenheim Palace in England back in February. Reports suggest that the $6 million USD artwork was dismantled and possibly sold as parts to a London jeweler. In March, those responsible for the theft were convicted. To date, Cattelan has remained silent on the matter, but it seems he’s made a subtle comment with his new solo exhibition entitled “Bones“.

Currently being displayed at Gagosian London is the exhibit titled “Bones“, which showcases 24K gold-plated panels that bear bullet holes. The gallery characterizes these scarred surfaces as “allegories for creation and destruction”, delving into the complex association between material opulence and the prevalence of lethal firearms. While it’s not explicitly stated, the gallery subtly suggests that buyers have the option to melt down and reuse the gold, amplifying Cattelan’s critique on wealth even more.

In the heart of the gallery stands a striking marble statue resembling a bull’s head perched upon a couch – a powerful figure that straddles the boundary between realism and surrealism. This intriguing piece, created by artist Maurizio Cattelan, provokes thoughts about its mythical aura and unconventional positioning. As described by the gallery, it originates from Cattelan’s intention to create an object imbued with a mythic presence and the familiarity of history, an antique-looking artifact transported to a modern environment. The golden panels and marble sculpture serve as a reflection on contrasting themes: domestic tranquility versus untamed wildness, creation balanced against destruction, opulence juxtaposed with fragility.

Maurizio Cattelan: Bones is on view through May 24.

Gagosian 

17–19 Davies Street

London

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2025-04-08 23:58