As a lifestyle expert with a deep appreciation for the evolving landscape of Indian cinema, I find Suhasini Maniratnam’s insights both enlightening and thought-provoking. Her extensive experience in the industry, coupled with her astute observations, provide a unique perspective that is hard to ignore.
Mani Ratnam’s wife, Suhasini, recently disclosed a startling truth about how women in the film industry are being unfairly taken advantage of. In an interview with Mathrubhumi, she expressed her concerns that numerous artists believe that revealing skin represents freedom. She also criticized the impact of “western” values on Indian cinema.
During the interview, Suhasini Maniratnam shared her perspective on the representation of women in contemporary cinema. She pointed out that there is a significant emphasis on skin exposure and intimate scenes as a result of Western trends.
Mani Ratnam’s wife expressed, “There’s a greater level of liberty in revealing skin and intimate scenes, as we’re mirroring the West and are less reserved about sensual portrayals. Both directors and actors have become more liberal-minded. Regrettably, this seems to be a return to objectifying women. The actresses willingly participate, whether it’s nudity or intimate acts on screen.
Suhasini pointed out that back then, actors felt compelled to act in scenes they didn’t agree with due to the cutthroat nature of the film industry. However, nowadays, it seems as though you’re expressing a sense of liberation: “I have the mental freedom to do this; it’s not about earning more or striving for success, but I’ll choose whatever I wish.” She further commented that in the guise of artistic liberty, women are often mistreated within the film industry.
Suhasini pointed out that the depiction of women in mainstream movies has significantly changed since the year 2010. She explained that these types of films were traditionally influenced by a male perspective, which is now being more frequently questioned by women in our society.
In her analysis, she pointed out actors similar to Vijay, who had been part of movies mirroring traditional plots previously. She acknowledged that Vijay shared screen time with prominent actresses like Asin in these roles. However, she emphasized that the onus for creating such narratives falls upon the directors themselves.
Suhasini pointed out that this form of storytelling has a long history, which raises the intriguing query: Why is it facing criticism today when it was once well-received?
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2024-10-27 09:37