KiKi Layne and thoughtful cinematography make Dandelion a cinematic tune worth listening to

As a fan with a deep appreciation for expressive acting and authentic storytelling, I am utterly captivated by KiKi Layne’s performance in “Dandelion.” Her ability to convey emotions through her eyes is nothing short of mesmerizing. I was first introduced to her remarkable talent in Barry Jenkins’ masterpiece “If Beale Street Could Talk,” and her work in “Dandelion” further solidifies my admiration for her artistry.

Kiki Layne boasts strikingly expressive eyes that leave a lasting impression. Admittedly, my admiration for her may be influenced by my introduction to her talent in Barry Jenkins’ 2018 film “If Beale Street Could Talk.” In this production, Jenkins’ signature close-ups of characters gazing into the camera intensified the impact of Layne’s extraordinary ability to express deep emotions through her eyes. Even if “Beale Street” wasn’t part of her resume, Layne’s gift for conveying profound feelings without relying on words would still be noteworthy. She joins the ranks of classic silent film actors and esteemed actors from the 1970s, such as John Cazale, who could elicit gripping emotional responses with their expressive eyes alone. Layne’s captivating presence is instrumental in anchoring writer/director Nicole Riegel’s newest project, “Dandelion.”

As a devoted fan of the talented singer-songwriter Dandelion (Layne), I can empathize with her sense of being left behind in life. She’s been tirelessly working on local gigs, all while caring for her sickly mother at home. Meanwhile, other artists she grew up with have moved forward, finding greater success in their careers. Feeling desperate for a breakthrough, Dandelion decides to take a friend’s advice and attend a gig in South Dakota.

Dandelion and Casey first connect through their shared passion for songwriting. They perform together in hidden alleyways for modest crowds and explore the breathtaking vistas of South Dakota. Previously suppressed, Dandelion experiences newfound freedom as an artist in a challenging economic climate.

Movies depicting autumn as a backdrop are relatively scarce in comparison to those set during the winter holiday season. The majority of films opt for snow-laden Christmas mornings or icy New Year’s Eve parties instead. However, there is a niche collection of films, such as “Fantastic Mr. Fox,” that beautifully illustrate autumn’s visual allure. The vibrant orange and yellow leaves during this time of year create a breathtaking sight on-screen. These colors, along with the barren trees, evoke a melancholic yet hopeful atmosphere in a film. The season is a reminder that change is inevitable – one chapter is ending while another, filled with uncertainty and possibility, awaits us.

Dandelion is among those uncommon autumn films, where director Siegel and cinematographer Lauren Guiteras skillfully utilize the unique visual elements of this season. At first, the bleak, lifeless landscapes of autumn accentuate Dandelion’s discontentment with her personal life. As autumn fades away, so do Dandelion’s chances to achieve her dreams. However, once she enters more natural settings filled with leaves and foliage, autumn brings about a drastically different atmosphere. Autumnal colors add a stunning backdrop for Dandelion and Casey as they wander through the wilderness. The warmth of these hues enhances the closeness and comfort our main characters feel towards each other.

The exterior scenes in “Dandelion” are strikingly beautiful due to the cinematography using 16mm films. The autumn hues shine even more vividly on screen because of this technique, giving an otherworldly feel to the South Dakota forests and canyons. The use of 16mm film enhances the sense of enchantment surrounding Dandelion and Casey’s relationship. When they share intimate moments like kissing or holding hands, it feels as if we are experiencing a dream. It is only fitting that the scenes capturing their tender connections reflect this dreamlike quality.

Dandelion’s unique cinematography techniques bring urban landscapes to life in a remarkably authentic way, not just limited to natural environments. The gritty cities portrayed in the film appear tangible when captured on celluloid. For instance, a narrow alleyway that Dandelion and Casey dash through before and after an impromptu musical performance gains a sense of rundown realism which would be lost if filmed with overly polished digital methods. The majority of their surroundings consist of dilapidated locales filled with creaky floors, rusted locks, and decades-old tourist attractions. These environments benefit greatly from an antiquated cinematography approach.

In the film, Dandelion’s captivating visual cues are showcased during scenes where she takes the stage. Film directors Siegel and Guiteras creatively document two of these performances, including one particularly exposed public appearance. Normally, low-angle shots convey a sense of intimidation from a towering figure such as a menacing mob boss or an ominous monster. In contrast, these low angles highlight a powerless singer, who is merely striving to engage the crowd. Despite her lack of control over her surroundings, Dandelion possesses the innate ability to captivate any audience. These seemingly discordant visuals hint at her hidden strength and potential to shine in even the most challenging circumstances. By selecting low-angle shots during her weakest moments, the filmmakers emphasize Dandelion’s unwavering resilience and untapped power.

KiKi Layne shines in almost every scene of these meticulously crafted shots. Her relatable charm, showcased so effectively in “Beale Street,” continues to captivate in her portrayal of “Dandelion.” Layne avoids slipping into an over-the-top portrayal of a working-class musician. Instead, she leans on understated nuances to carry the story. The slightest gestures, such as the movement of her fingers or the glance of her eyes, convey her deepening emotions towards Casey. Even in expansive shots that showcase breathtaking South Dakota landscapes, Layne remains an enthralling presence. A striking scene in “Dandelion’s” third act stands out, where Dandelion walks through a field as the sun is setting. This iconic image beautifully symbolizes Layne’s captivating aura. The lighting and natural surroundings are breathtakingly beautiful. Yet, Layne’s quiet portrayal of Dandelion finding peace alone in nature leaves an indelible impression.

In her role as Dandelion, Layne showcases her impressive vocal abilities. Doherty’s performance, while solid, is more run-of-the-mill. Fortunately, their voices blend well when they sing together. Unfortunately, Dandelion’s original songs lack the lyrically striking quality found in tunes from other indie films like “Wild Rose” and “Once.” Layne’s captivating voice is undeniably the standout feature during the melodic sections of Dandelion’s performances.

Siegel’s script reaches a familiar narrative destination, wrapping up Dandelion’s personal issues with an overly neat conclusion. Additionally, the film relies excessively on commonplace visual elements, such as conventional medium shots during interior scenes, preventing it from ascending to the level of a cinematic masterpiece akin to an all-time favorite (as Casey Kasem would put it). Nevertheless, the movie’s stunning autumnal aesthetics and KiKi Layne’s captivating performance offer noteworthy highlights in this intriguing blend of “Nomadland” and “Wild Rose.” Bravo for another triumphant addition to the autumn cinematic collection!

2024-07-13 18:45

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