Joe Coleman’s ‘Carnival’ Comes Alive at Jeffrey Deitch

In a world of art that’s often guided by shine and commercial foresight, the carnivalesque offers an unexpected break. Embracing excitement over neutrality and finding joy in conflict and release, this is the energy that fuels “Carnival“, a fresh group exhibition currently at Jeffrey Deitch, curated by artist Joe Coleman who is also known for his performances.

Through reminiscences of his early years in New York, marked by freak shows, flea circuses, and Ripley’s dominating Times Square, Coleman’s latest work revives a sense of long-forgotten childhood enchantment. The exhibition showcases more than 40 artists, many of whom are part of the artist’s circle consisting of burlesque dancers, sideshow performers, and costume designers – influential figures in today’s society. Alongside some rising stars in contemporary art, they delve into the changing and persistent aspects of carnivals, subtly reshaping notions of compassion, understanding, and acceptance as they go.

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In this art gallery, a complete metamorphosis takes place: guests are welcomed by memorabilia from past Mermaid Parades, adorned with colorful hand-painted banners suspended overhead, and a stunning beaded carousel revolves at its core. As you progress, you’ll find a miniature replica of Coleman’s very own Odditorium – his personal tribute to the American strange and grotesque. Ghanaian fantasy coffins, figures made from wax with real bones, a comprehensive tribute to Johnny Eck, and notable figures like Kembra Pfahler, Jo Weldon, Guillermo del Toro coexist here. Esteemed artists such as Nadia Lee Cohen, Anne Imhof, Mickalene Thomas, George Condo, Diana Yesenia Alvarado, and Mario Ayala also participate, offering pieces that explore themes of camp, excess, and eerie theatrics.

Coleman suggests that a carnival serves as a sort of sacred, secular ground where individuals can freely express their deepest desires, fantasies, and fears, which are often hidden in society. This expression results in the creation of extraordinary works of art that symbolize this mysterious aspect within us. The life at the carnivalesque is a delicate balance between the raw and the artificial, mischief and playfulness. Beyond being just a show, it offers a platform for radical self-expression, a place where the unusual is revered and the “monstrous” is simply misunderstood or mislabeled.

The exhibition is now on view in New York through June 28.

Jeffrey Deitch Gallery
18 Wooster St,
New York, NY 10013

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