`DC Comics’ Latest Abomination: Absolute Superman`

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Discussions with social justice advocate and controversial comic book author Jason Aaron on his upcoming “Absolute Superman” series were held by Adventures in Poor Taste. As expected, he shared insights about the ideological foundation of the work. Moreover, from the artwork I’ve seen so far, it appears Lois Lane is depicted less attractively, reminiscent of the My Adventures With Superman cartoon where Lois is drawn as a short-haired tomboy. Let’s delve into the premise of this alternate universe series:

In Absolute Superman #4, Superman finds himself being chased worldwide by the military forces of the Peacemakers and Lois Lane, a top agent from Lazarus Corp. Despite their clashes, Lois struggles with her assignment and the effect Superman has on her perspective of the world. Simultaneously, a mysterious group known as the Omega Men join the pursuit. Known as adversaries to Lazarus Corp, it’s uncertain whether they will support Kal-El in his battle for justice or if they represent another hazard in an already precarious path. As Superman battles enemies from every direction, each with their own motives, the tension intensifies.

As a movie enthusiast, it’s clear to me that Lois is on the opposite side here, and honestly, I find that underwhelming. Yet again, this novel seems to belittle the original Omega Men, who were introduced in the 1980s as a valiant team. I can’t help but feel disappointed with this portrayal.

The last time viewers encountered Lois Lane, she found herself in a complex position – both an ally and a foe to Superman. According to Aaron’s perspective, his storyline thrives on flipping norms, making the unexpected happen.

Aaron clarified, “The individuals we encounter in this novel world aren’t always who we anticipate. For instance, Lois was introduced at the end of issue #1; she’s the one who handcuffs Superman and aims a gun at his face. She’s been on a journey ever since.

In simpler terms, “Aaron adores portraying Lois grappling with fresh realities.” Towards the close of issue #2, she pens an introspective summary – an uncommon action for one who abhors administrative work.

Aaron chuckled as he expressed, ‘She disliked it, but she felt compelled to jot down her ideas. It’s intriguing to imagine these characters crossing paths with Superman, perhaps discovering they may have taken a misguided stance.’

As I delve into this cinematic masterpiece, it’s fascinating how the writer manages to breathe life into Lois, making her feel like a tangible character, despite the fact that he is the one who penned her disdain for certain actions. The dialogue between them hints at “truths,” but I can’t help but wonder what these truths actually are. This production seems to lean towards progressive ideologies, and while I appreciate diverse perspectives, I can’t help but question the motives behind this narrative choice.

In the depiction of Superman, he is shown as an individual who experiences life as an outsider due to a history filled with adversity. Aaron emphasized that this modern take draws from the immigrant narrative originally conceived by Jerry Siegel and Joe Shuster during the 1930s.

Aaron clarified, ‘For Jerry Siegel and Joe Shuster in the 1930s, creating this character was a significant aspect.’ Today, though, such a story carries a distinctly different meaning.

In this fresh interpretation, Superman’s story strays from the typical tale. Instead of growing up in the tranquil Smallville, Kal is thrust into a much harsher environment and spends his initial five years on Earth evading Lazarus Corp. He takes on risky, poorly compensated jobs across various parts of the world, encountering society’s treatment of migrant workers and the underprivileged firsthand.

Jason Aaron is the most recent author who has altered Siegel and Shuster’s original concept of Superman, a refugee from a destroyed planet, for a politically-charged narrative that portrays Superman as an “immigrant.” This reinterpretation, according to Aaron, will continue to depict illegal immigrants as victims rather than perpetrators. It seems Aaron may not be aware of the Laken Riley case, a tragic event that led to Donald Trump signing a law in her memory to protect women from dangerous intruders.

One notable feature of Absolute Superman is its incisive socio-political commentary. In this comic series, Aaron delves into the concept of systemic oppression as it relates to Superman’s journey, making it relevant to contemporary society. I view this work as a timely piece given the significant stress people are experiencing and the ever-present fear of deportation in America.

Here, it’s clear that the claim about this Absolute imprint is actually just a thinly-veiled pretext for biased communication, promoting a stance that supports undocumented immigrants, regardless of whether they commit criminal acts of violence.

Deep-DC lore enthusiasts will discover much to their delight in this comic book series. In issue #4, we’re introduced to The Omega Men, a faction that clashes with Lazarus Corp. Their arrival adds complexity to the balance of power, placing Superman in the middle as he navigates two influential forces seeking dominance.

“To Lois Lane’s dad, they’re terrorists,” Aaron said. “But to others, they’re freedom fighters.”

It seems you might be interpreting this situation as a possible metaphor for contemporary Islamic extremism, which would indeed be a significant departure from the original intention of Marv Wolfman and Joe Staton when they created the Omega Men during the Bronze Age. In their initial concept, the Omega Men were freedom fighters aiming to overthrow the oppressive Citadel empire in the Vegan galaxy. For those who read and watched during that era, the Omega Men represented a straightforward battle between good and evil. However, in contemporary times, some individuals like Aaron appear to use these characters as tools to push their extreme political viewpoints, which may be seen as distasteful or manipulative.

The Absolute imprint series seems to suggest that its primary goal was spreading more leftist viewpoints, which came rather late in the game, following the majority of American voters’ decision to elect Trump as a means of expressing their dissatisfaction. Regrettably, individuals like Aaron fail to acknowledge public sentiment, and it is disappointing to see him using such an iconic superhero creation merely to advance his questionable arguments.

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2025-02-07 17:16