4 deep cuts from Britpop albums that should not be forgotten

by

It’s possible that many individuals may not be fond of Britpop, but that’s okay. What’s essential to understand is that this rock subcategory has a deceptive name. While Oasis is an excellent representative of the subgenre, Manic Street Preachers are frequently mistakenly categorized alongside bands like Oasis. However, they do not truly belong there.

Britpop isn’t just about fantastic rock music; it also had its share of pop artists. Unfortunately, a good number of these pop acts are rather forgettable.

As a devoted fan, I must say these tunes deviate remarkably from the norm, and they weren’t even standalone singles from the albums they’re housed in. Instead, they enhance the overall album experience, making not just the subsequent tracks but the entire albums worth multiple spins.

These Britpop deep cuts should not be forgotten

Blur – “Badhead” (Parklife)

This tune seems to casually wander, seldom striving for anything more than an easygoing Sunday vibe – and that’s its charm. Moreover, the chorus is delightfully catchy and perfect for singing along. However, this song wasn’t destined to be a chart-topper due to its deeply personal feel.

The song ‘Badhead’ is a superb illustration of how amazing the album ‘Parklife‘ is. While there are undeniably more tracks that could be singles on the record, none can match the impact of this particular one.

The Verve – “Velvet Morning” (Urban Hymns)

Reflecting the psychedelic side of Britpop, this music seems deliberately a fraction slower than its lyrics, creating a languid, yet delightfully lethargic atmosphere. However, when you least expect it, the chorus bursts forth, uplifting your spirits.

The words in a song keep us coming back for more, creating an intimate experience that feels like the singer is addressing us personally, or just conveying thoughts we’ve been wanting to express ourselves. Regardless of how you look at it, we all end up victorious.

Stereophonics – “Last of the Big Time Drinkers” (Word Gets Around)

This song takes an unexpected turn, becoming incredibly energetic and intense. At certain points, it appears the musicians might lose control and plunge into disorder, but they always manage to keep the melody on track.

As a devoted fan, I believe that’s why it resonates so deeply – there’s an exquisitely suited piano solo in the heart of the piece. It’s not an explosive solo, no, but more like a rhythmic dancehall groove that offers the listener a moment to unwind. Despite not being strictly Britpop, Stereophonics find themselves part of this genre due to their early beginnings, which adds depth and diversity to Britpop.

Placebo – “I Know” (self-titled debut)

Placebo has an uncanny ability to craft mini-dramas lasting around four minutes. They can ramp up the energy when necessary, but it’s their more atmospheric tracks that resonate deeply with their fans, and rightly so. “I Know” serves as a perfect illustration of this.

This track appears to have an influence from the Beatles’ “While My Guitar Gently Weeps,” though it’s evident that the band’s unique style is clearly present. The lyrics, though straightforward and somewhat melancholic, carry a profound impact due to their emotional delivery.

Read More

2025-07-02 19:00