As a seasoned gamer with over two decades of immersion in the rich tapestry of pop culture, I’ve seen my fair share of beefs and feuds that have captivated our collective attention. The latest one between Andrew Schulz and Kendrick Lamar is no exception, and it’s got me hooked like a rare Pokémon I haven’t yet caught!
Are you intrigued by the recent commotion concerning Andrew Schulz and Kendrick Lamar? The entertainer (comic) and musician appear to be developing a tense relationship following Lamar’s latest album GNX, which seems to contain a possible diss aimed at Schulz. Their interchange has ignited interest, fueling discussions about comedy, hip-hop culture, and cultural accountability.
Here’s everything you need to know about their feud, the lyrics in question, and Schulz’s response.
What happened to Andrew Schulz and Kendrick Lamar?
Recently, Andrew Schulz has addressed what he perceives as a criticism from Kendrick Lamar on the song “Wacced Out Murals” from Lamar’s album GNX.
On the Flagrant podcast, Schulz discussed the lyric “Don’t let no white comedian talk about no Black woman, that’s law.” He perceived this as a reference to his past comments regarding Black women. Humorously, he quipped, “What an era we live in where rappers feel compelled to comment on comedians for attention” (as reported by Complex).
Schulz called out what he perceived as hypocrisy in Kendrick Lamar’s statements. Specifically, he pointed out a contradiction between Lamar criticizing comedians while collaborating with artists accused of abuse. In essence, Schulz asked, “Is it that Kendrick Lamar is saying he protects Black women from white comedian’s jokes, but not the abuses by R. Kelly?” Furthermore, he showed concern about a line in one of Lamar’s songs, stating, “I don’t agree with his use of threatening violence.
In Wacced Out Murals, Lamar tackles the topic of cultural appropriation and internal struggles within African American communities. He advocates for action against not only those who perpetrate it but also those being conditioned to do so: “He’s talking about the ones who act foolishly, the ones being molded, watch out for both of them.” Schulz pondered why Lamar’s comments seemed to focus on Black individuals instead of white comedians making jokes. However, he contended that this could be indicative of a broader cultural analysis.
Previously, Schulz received criticism for comments he made in a podcast about interracial relationships that some found offensive. Looking back, Schulz admitted that his words might have influenced Lamar’s lyrics. However, despite the criticisms directed at him, Schulz commended GNX as a powerful album, humorously concluding, “It’s a great album, but still, I guess you could say… f*** you.
As Schulz advocated for humor and first amendment rights, Lamar’s music appears to center around accountability, not just within the Black community but also in a broader context. This dialogue underscores the persistent debates surrounding creative liberty and cultural obligation.
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2024-12-06 02:10