Nobody Wants This renewed for season two: Can the new showrunners fix the show’s biggest problem?

Nobody Wants This renewed for season two: Can the new showrunners fix the show's biggest problem?

As a seasoned gamer and binge-watcher of countless TV series, I’ve seen my fair share of hits and misses. The renewal of “Nobody Wants This” for a second season has me both excited and apprehensive. On one hand, the chemistry between Kristen Bell and Adam Brody is undeniably charming. On the other, the problematic Jewish stereotypes in supporting characters like Bina and Esther were a major turn-off.


After achieving popularity on Netflix, the streaming platform has greenlit another season of “Nobody Wants This“. This humorous series focuses on Kristen Bell as Joanne and Adam Brody as Noah, who play out an unconventional love story between an agnostic woman and a Rabbi.

Though the program garnered praise from viewers thanks to the compelling dynamic between Kristen Bell and Adam Brody, it struggled under a wave of criticism due to the depiction of questionable Jewish stereotypes in the female supporting roles.

For the upcoming season two, the leadership role will be taken over by new showrunners, Bruce Eric Kaplan and Jenni Konner. Previous series creator Erin Foster will continue in an executive producer capacity. Given the criticism from fans regarding certain Jewish stereotypes in the show, can Jenni Konner and Bruce Eric Kaplan make changes to address these concerns?

Despite boasting exceptional acting, memorable catchphrases, and a unique charm, the show couldn’t shake off the unsettling influence of Noah’s domineering mother, Bina, and overly intrusive sister-in-law, Esther.

As a dedicated gamer, let me put it this way: Bina and Esther are the antagonists standing between Noah and Joanne’s blossoming relationship in this series. However, the show’s approach to this dynamic often makes their scenes hard to stomach at times. Despite some amusing exchanges between Joanne and these characters, the narrative consistently thwarts any potential development or bonding, pushing Esther and Bina back into the role of villains because the storyline insists on maintaining obstacles in Noah and Joanne’s path. The series seems to be saying, “Nobody Wants This” resolved relationship between them, making it difficult to imagine a long-lasting romance for these characters.

In a playful manner, Noah chose not to reveal to Joanne the significant changes that adopting Judaism for the role of a Rabbi’s partner might bring, in order to keep things less intimidating. Instead, he focused on the cheerful aspects of Judaism without delving too deeply into how her life would need to align with an Orthodox Jewish household’s expectations.

As a gamer, I found myself pondering the implications of my situation in a particular scene at the end of the season, only to have it lightly mocked by the narrative itself.

The first season seemed to progress quite swiftly, as Noah quickly developed feelings for Joanne, proposed her conversion to Judaism, and all this unfolded within just ten episodes. Though the fast pace was intended to heighten the drama and importance of their relationship, it strains credibility that someone would ask such a significant commitment after only a short while together, without providing a thorough explanation of what this decision entails.

In season two, it may not reverse the pace, but season one does imply that Noah has opted for Joanne over his aspirations as Head Rabbi. However, can it effectively eliminate the recurrence of harmful Jewish stereotypes?

Shows like “Crazy Ex-Girlfriend” are popular productions that feature Jewish protagonists and subtly incorporate Jewish culture, steering clear of overemphasizing harmful stereotypes by not excessively leaning on them.

The newly appointed showrunners for season two have an opportunity to preserve the show’s strongest elements, whilst introducing modifications to improve areas that previously hindered the show, as expressed in “Nobody Wants This“.

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2024-10-12 03:17